Realism – Realism in a documentary is when the action that takes
place is completely natural, and nothing is staged or scripted for the purpose
of the film. Realism is often used simply just because helps keep a natural
fluidity to the documentary. Actuality footage is used rather than staged
footage. Handheld cameras are often attributed to this type of documentary as
well as planned interviews with people or professionals relating to the subject
or topic of the film, supported with facts and statistics to help boost the
argument. Realism footage may also include footage of the making of the
programme, to further prove that it is in fact natural action taking place.
Dramatisation/Docudrama – A dramatisation is when a real story or
event is re-enacted for the purpose of engaging the audience whilst also
informing them on the subject matter in a much more stylistic and cinematic
approach. The story would be scripted, choreographed and edited purposefully to
present the story to the audience, and allow them to draw their own conclusion
on the events that took place. Dramatisations help the audience to envision
what might’ve happened and get an idea in their heads of how the events
described went down. Often this form of documentary comes under scrutiny due to
there being a lot of room for speculation and the filmmaker’s ability to alter
the story to fit their opinion on the matter and it could therefore then be
considered subjective or bias towards the filmmaker and there are often
concerns over whether or not the story depicted is the reality of what occurred.
A great example of a dramatization in recent TV history would be the 2016 show “American Crime Story: The People v. O.J. Simpson” which was a biopic about the events that occurred in 1994 when OJ Simpson’s ex-wife and friend were found murdered at her house, and the trial against OJ that followed that in 1995. Whilst this show is based on a book by the name “The Run of His Life: The People v. O.J. Simpson” (1997), it was designed to explore the entire span of the murder case and shine some light on a historical event that not many would necessarily know about in extensive detail. Some of the real people featured in the show praised the actors’ portrayal of them as characters in a story such as Marcia Clark, who’s character was played by actress Sarah Paulson, whereas Fred Goldman (the father of the second victim, Ron) expressed his disappointment with the lack of coverage of Ron’s death in the show.
A great example of a dramatization in recent TV history would be the 2016 show “American Crime Story: The People v. O.J. Simpson” which was a biopic about the events that occurred in 1994 when OJ Simpson’s ex-wife and friend were found murdered at her house, and the trial against OJ that followed that in 1995. Whilst this show is based on a book by the name “The Run of His Life: The People v. O.J. Simpson” (1997), it was designed to explore the entire span of the murder case and shine some light on a historical event that not many would necessarily know about in extensive detail. Some of the real people featured in the show praised the actors’ portrayal of them as characters in a story such as Marcia Clark, who’s character was played by actress Sarah Paulson, whereas Fred Goldman (the father of the second victim, Ron) expressed his disappointment with the lack of coverage of Ron’s death in the show.
American
Crime Story – The People Vs OJ Simpson Official Trailer: https://www.youtube.com/watch?v=nAyn1gDBc7s
Narrativisation – Narrativisation in a documentary is a way to help
tell the story to the audience and help make sense of the events being
portrayed in the documentary. The filmmaker will take something that is unstructured
and convoluted and structure it into a narrative. You will usually find that
there is a single-stranded linear narrative to help keep the story less
complicated. Often there is a narration to help carry the story, and explain
what is occurring on screen, giving background or more in-depth detail to the
narrative or subject being discussed whilst leading the audience towards the
filmmaker’s preferred interpretation or reading of the subject. The facts are taken
and made into a format that is more accessible and easier for an audience to
follow, hence why it works well in documentaries. Sometimes you will find that
the characters in the narrative are often over-the-top or exaggerated for the
purpose of increasing the dramatic impact of the film.
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